ABOUT
These paintings are anchored by a horizon line—a constant element in my work for over 20 years—meant to evoke the expansiveness of the American West. However, these newer paintings also revisit some of the heavier paint application and contrasting underpainting that were hallmarks of the geometric works I made in the late 1990s. I have also begun to incorporate silkscreened and spray-stenciled graphic elements: symbols, numbers, and scraps of text that build in layers with loose brush strokes, oil stick scribbles, paint drips, and card-edge impasto marks. The resulting paintings work at several scales, where an all-over impression of landscape dissolves as the viewer approaches and discovers detail in the layers.
I work in the early morning quiet in a light-filled corner studio in Portland, Oregon.
COLLECTIONS
Metropolitan Hotel
New York, NY
Microsoft Corporate Art Collection
Redmond, WA
King County Portable Works Collection
King County, WA
City of Seattle Portable Works Collection
Seattle, WA
Harborview Hospital
King County, WA
SAFECO Corporate Art Collection (deaccessioned)
Seattle, WA
SELECTED SOLO EXHIBITIONS
2023
First Thursday Open House
Cascade-Hasson Sotheby’s
Portland, OR
2008
Holding on to Nothing
Davidson Contemporary
Seattle, WA
2005
Chromophile
Davidson Galleries
Seattle, WA
2003
Lull
Pulliam Deffenbaugh Gallery
Portland, OR
Meniscus
Davidson Galleries
Seattle, WA
2001
Nine-Mile Prairie
Davidson Galleries
Seattle, WA
1999
UHF
Oculus Gallery
Seattle, WA
Textile Designs for Insomniacs
Inchmeal Gallery
Portland, OR
1998
Measure Twice, Cut Once
Oculus Gallery
Seattle, WA
Recent Works
University Friends Gallery
Seattle, WA
1997
Recent Works in Grey
Oculus Gallery
Seattle, WA
1996
Stones
Oculus Gallery
Seattle, WA
SELECTED BIBLIOGRAPHY
Dark Mountain Issue 4
Summer, 2013
Pacific Coast Edition #49
New American Paintings
December, 2003
Young Stars and Abstract Stripes Captivate in New Group Shows
The Seattle Times
by Matthew Kangas
December 12, 2003
Seattle: Matthew Landkammer at Davidson
Art in America
by Matthew Kangas
September, 2003
The Conversation: COCA at the Crossroads
The Stranger
by Emily Hall
April 10, 2003
Northwest Art Converges at COCA’s “Crossroads”
The Seattle Times
by Sheila Farr
March 28, 2003
Playing the Field
Washington, D.C. City Paper
by Mark Jenkins
September 21, 2001
The Cultural Status of Painting
Artdish: Puget Sound’s Forum of Visual Art
by Daniel Kany
October, 2000
Vibrant Collage of Eclectic Work from
Northwest and Elsewhere
Seattle Post-Intelligencer
by Regina Hackett
September 1, 2000
Reviews: Seattle
Art Papers Magazine
by Jill Conner
July/August 2000
Alternative Escapes
Seattle Times
by Matthew Kangas
April 14, 2000
Delicate Art, Obsessive Artists
The Stranger
by Emily Hall
February 10, 2000
‘Do Not Touch’ Invites a Close Look at Artists’ ‘Delicate Obsessions’
Seattle Post-Intelligencer
by Regina Hackett
January 28, 2000
SELECTED GROUP EXHIBITIONS
2022
Portland Open Studios
Citywide
Portland, OR
2021
Chromatic Impressions
Davidson Galleries
Seattle, WA
2008
Landscapes
Davidson Contemporary
Seattle, WA
2005
Aqua Art Miami
with Davidson Contemporary
Miami, FL
Open House/Project Room
Bank Gallery
Los Angeles, CA
2003
Strata
Davidson Galleries
Seattle, WA
Crossroads: New Art from the Northwest Center on Contemporary Art (COCA)
Seattle, WA
2002
Introductions
Pulliam Deffenbaugh Gallery
Portland, OR
2001
Contemporary Prints and Works on Paper
Pulliam Deffenbaugh Gallery
Portland, OR
Synthesis
Wohlfarth Gallery
Washington, DC
Unearthed: Contemporary Landscape
Davidson Galleries
Seattle, WA
2000
00/01
James Harris Gallery
Seattle, WA
They Shoot Painters, Don’t They?
Center on Contemporary Art
Seattle, WA
Bumberbiennialle: Painting 2000
Bumbershoot Arts Festival
Seattle, WA
Distill: New Seattle Formalists
Davidson Galleries
Seattle, WA
Do Not Touch: an exploration of delicate obsessions
Consolidated Works
Seattle, WA
1999
More
Bumbershoot Arts Festival
Seattle, WA
Phresh
Bumbershoot Arts Festival
Seattle, WA
Liminal
artsEdge Festival
Seattle, WA
1998
GOODS: Artist Multiples, Found Objects, and the New Economy of Meaning
ArtsEdge Festival & Bumbershoot Arts Festival
Seattle, WA